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Watch Sean Bean Die (For England, James! x 21)

Sean Bean Dies For Your Sins

Embedded below, please enjoy an assortment of Sean Bean deaths set to music from the insipid Dead Island trailer.

Strung together with the music suggests a man trapped in a Groundhog’s Day sort of limbo, or perhaps it’s a work meditating on mortality.

Or it can represent how I felt sitting through Dark of the Moon.

For a complete list of films (there’s some fairly obscure/weird stuff in here), clicky here.

Oh, SPOILER ALERT by the way.

Please, Louise, Save Me from the Remake Disease

Footloose [Paramount]

The trailer for the Footloose remake/reimagining is here! Soon (soon!) we can expect remakes of Flashdance and Dirty Dancing to follow! Hopefully we’re on the verge of an 80s dance-movie renaissance! Or at the very least 80s Kevin Bacon movies. So until that Tremors remake comes callin’, sate your Kevin Bacon lust and clicky below the break to watch the glorious (awful-looking) Footloose trailer. READ MORE!

Review: Super 8

Super 8 [Paramount]

Warning: The review below contains very minor spoilers for Super 8. If you’re so spoiler-averse you can’t stand to learn that ‘the good guys win’ and other relatively inconsequential things, beware!

Confession time: I’ve never seen Close Encounters of the Third Kind. I wasn’t even born when E.T. came out, and I think the last time I saw that I was like seven. I have no connection to this nostalgic Steven Spielberg people keep touting while hailing J.J. Abrams’ Super 8.

The Spielberg I nostalgia-bomb myself with is the guy in the 101st Airborne jacket, the guy behind Jaws, Raiders of the Lost Ark, Jurassic Park, Munich or Schindler’s List. Spielberg’s films fill the viewer with a certain sense of awe, wonder and adventure, and even Spielberg’s weaker entries fare far better than anything Super 8 can muster.

Super 8 is a mess. A mess that starts off promising but ends up falling apart under its own weight. This is unfortunate because there is a bevy of strong performances from the movie’s cast of kids and some interesting concepts but, like most summer schlock these days, the concept is the only aspect of the film that’s been fleshed out. Abrams had an idea for a movie and shot it before anyone finished writing the last act. READ MORE!

Springtime Double Feature: Super vs. Sucker Punch

Sucker Punch vs. Super

Preface: This was supposed to be a review of Super, but I couldn’t help contrasting the craziness in Super with the craziness in Sucker Punch. Both James Gunn and Zack Snyder are swinging for the fences with these movies, but Gunn hits it out of the park while Snyder epically whiffs. Both movies have the distinction of being totally batshit insane, but only one of them resonates. READ MORE!

Fall On Your Sword’s “Spanish Ladies” turns Jaws into the love story you’ve always known it to be

Fall On Your Sword - Spanish Ladies

The mad geniuses of Fall On Your Sword have done it again.

As they describe it, “Spanish Ladies” is “inspired by Spielberg’s heart breaking tale of a triangular love affair set at sea.” The tangled romance of three men hunting a killer shark far outshines anything the Twilight series could possibly muster. Clicky the embedded video behind the break, and know what it is to feel love. READ MORE!

Don’t Mind Me

EVERYWHERE READ MORE!

Review: Unstoppable

Unstoppable [Twentieth Century Fox]

Tony Scott’s directorial output over the past decade has been rife with eye-bleedingly obnoxious symphonies of shakycam shenanigans and over-stylized mishmash. Among the most annoying offenders are his shots in which the camera dollies in a circle at ludicrous speed around something as innocuous as a character sitting at a computer or having a normal, irrelevant inside-voices conversation.

Suffice to say, I was not looking forward to Unstoppable. The last time Tony Scott played with a train set we ended up with the miserable The Taking of Pelham 123. Pelham 123’s opening scenes feature John Travolta in freeze-frame cosplaying as a member of the Village People and set against the dulcet tones of Jay-Z’s “99 Problems.” It is utterly ridiculous.

I braced myself against the seat, awaiting the inevitable wave of thumping bass, freeze frames and joyless camera-tossed-in-a-clothes-dryer action.

Jarringly, it didn’t come. READ MORE!

Review: The Social Network

The Social Network [Photo - Columbia Pictures]

A David Fincher film is an event.

Seven was my very first Fincher film way back in 1995. There are scenes and images from that movie that are burned into my memory. But, like many others, it wasn’t until 1999’s seminal Fight Club that I truly became enamored with him.

Like for many of the impressionable youth of my age at the time, Fight Club was and remains a milestone film. It came out at just the right time alongside flicks such as The Matrix and was a gateway drug into cinema for a generation raised on video game consoles, Napster and the Internet (née Interbutt). READ MORE!

Apocalyptic Double Feature: Legion vs. Book of Eli

Legion vs. The Book of Eli [Screen Gems + Warner Bros.]

Last week, an earthquake ravaged the greater Washington area (the ground shook a little bit and I think a mailbox may have fallen over) and the good citizens of Rockville, Maryland were aflutter the next morning, visions of Roland Emmerich’s latest apocalyptic masterpiece (prophecy???) fresh in their hearts and minds. While this unprecedented catastrophe (the earthquake, not the Emmerich movie) sent the uninformed masses running frantically to consult the nearest Mayan calendar, I was merely inspired to dust off my 2012 DVD. READ MORE!

I Am Jack’s Ferrari 250 GT Spyder California

Ferris Bueller's Day Off [Photo - Paramount]

Fight Club is basically the perfect book and film for any impressionable, pretentious high school student. Since the movie came out while I myself was an impressionable, pretentious high school student, I love it dearly.

One of my most favorite things to come out of the internet is the Ferris Bueller Fight Club theory. In a nutshell, you have two characters: the repressed and socially maladjusted Cameron, and the wild and crazy Ferris Bueller as his polar opposite. The theory is that Ferris is merely a figment of Cameron’s imagination, a la Tyler Durden. It gives Ferris Bueller’s Day Off a hilarious new level of depth.

The theory has been given video form here, embedded below the jump. Clicky! READ MORE!